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The farmyard antics of Laura Ingalls were only a minor diversion in season four.
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Even though it wasn’t graphically depicted, I challenge anyone to view Episode 4.4, “Shari Noble”, and come away from it with the ability to get that image out of your head. Those on the second train? This show is not for you, and if you still think it might be, then envision Melissa Gilbertgettin’ jiggy with her dog. If you have never watched Nip/Tuck, you are probably thinking one of two things right about now: “I had no idea what I was missing!” or “The further degradation of television and humanity has just been nicely summed up in one paragraph.” Those on the first train of thought should go out and rent or buy the season-one DVD box set now. Lest you think Julia was a mere victim throughout all of this, she was busy cultivating feelings for and a relationship with the other babysitter, a dwarf named Marlowe (Peter Dinklage)…whom she eventually fucked. Further down the road, after Monica started going off the rails and making weird threats, she was decapitated by a moving bus-right in front of Sean. In a later episode, he ate one of Monica’s hash brownies, inexplicably obtaining an instantaneous LSD-like high resulting in whacked-out hallucinations, and realized how wrong it was to fuck the babysitter. And so they came together once again, and near the start of this season, Julia gave birth to a deformed son, and things momentarily ambled along as nicely as they could in the twisted universe of Nip/Tuck, until…Sean fucked the nubile young babysitter, Monica (Jennifer Hall). At the close of Season Three, the divorced couple, who’d let their mutual hatred lapse for one night, found out Julia was pregnant. Sometimes they’re divorced, sometimes not sometimes they’re together, sometimes not sometimes they love each other, sometimes they just wanna claw each other’s eyes out.
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Sean McNamara (Dylan Walsh) has spent the bulk of the series running to and from his wife Julia (Joely Richardson). It’s impossible for anyone on this series to be content for any length of time, and the day someone finds true happiness, it’ll be time to close up shop. On the rare occasion someone on Nip/Tuck makes a good decision, you can bet the positive fallout won’t last long, as they’ll soon enough make another bad one, dragging the character back to their moral drawing board.
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After three seasons of exploring themes that were tidily summed up by the oft-repeated catchphrase of the Carver (“Beauty is a curse on the world”), maybe there isn’t much left to say? The show has often been accused of promoting sexist themes, which is a tad shortsighted, as it primarily holds up a mirror to what’s beneath the surface, that which cannot be fixed through botox injections and boob jobs: Nip/Tuck is really about people making atrocious life decisions (surgery being only the tip of that iceberg).
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There’s still at least one patient/surgery per episode, but most of them are played for laughs or shock value (and sometimes both) and rarely leave lasting impressions. Nip/Tuck’s charter mission-a commentary about the evils (and occasional benefits) of cosmetic surgery-has been all but abandoned at this point.
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Based on the 14 episodes presented thus far, this season’s subtitle should be “The Apology”, because after the disaster that was Season Three, that’s what was owed to long-term fans-and it’s largely what producer/writer Ryan Murphy and his band of twisted lunatics delivered. Tonight at 10, FX delivers the Season Four finale of its highest rated series, Nip/Tuck.
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